“Beyond the Wall of Sleep”
"Beyond the Wall of Sleep" was one of several stories Lovecraft wrote and published toward the end of 1919. This one was submitted not to his usual mainstays at this point (The Vagrant, the United Amateur, etc) but to another minor magazine called Pine Cones. Pine Cones was one of several publishers that would print only one or two Lovecraft stories over the next few years in between his regular contributions to those earlier mentioned. This pattern would continue until 1924 when Lovecraft would be introduced to Weird Tales.
Unlike the previous stories, this is one that I've already read, though not since my teens. I wish I could say I recall "Beyond the Wall of Sleep" fondly, but unfortunately I remember it as the first time in my life that I looked up from a book with a dazed, haunted look in my eyes and muttered "What the fuck did I just read?" Its possible that this story isn't as bad as I remember, so I'll do my best to approach it neutrally and not let my preconceptions color the experience. But, I don't think it’s going to help.
The story opens with a quote from Shakespeare's "A Midsummer Night's Dream." The line is spoken by Bottom, a simple country bumpkin who earlier in the play was the victim of fairy enchantment during his sleep. It’s a well chosen quote for reasons that will soon become clear.
I think most people probably stop and wonder where dreams come from at at least one point in their lives.
Not a fan of Sigmund Freud, I see. I'd pat you on the back Lovecraft, if you hadn't done that as part of a monstrous run-on sentence. Also, you're dead, so patting you on the back would be awkward anyway.
An even better quote to open this story, and one that could have precluded some of this exposition:
That's from one of the early Daoist sages.
The Shakespeare quote IS a good fit, as I noted, but I think this one captures the essence of Lovecraft's dream mythology (and of the intended focus of this story in particular) much better.
...yeah, so far this isn't going any better than I remember.
What's really bizarre - even moreso than Lovecraft's virulently classist view of the hillfolk - is that he would choose to stress their supposed barbarism as soon as Slater is introduced. The vulgarity of Slater's people is apparently really important for the reader to know about in gruesome detail, and comes before anything about Slater personally, or even about why he was brought in. So, will the story justify the amount of attention lavished on hillfolk savagery? I sure hope so, because otherwise this whole paragraph is just an irrelevant, angry rant at the expense of a poor and largely disenfranchised segment of Americana with no connection to the story.
Also, "the native American people." I'm assuming he means besides the ACTUAL Native Americans, who's mental status doesn't count because they're not white.
Howie - can I call you Howie? - I'm pretty sure that even hillbillies can keep track of how old they are. They're farmers, you know? The passing of seasons is kind of important to them.
Also, "permanent family ties" don't exist among the Catskill tribes. How...is that even supposed to work? Do they sleep in random caves each night without recollection of who they've met before? Are they solitary predators who guard their hunting grounds fiercely against others of their kind except in mating season?
Wait, the other hillbillies described him in those terms? "He speaks the same degenerated pseudo-English that we do, your honor." "Well, after that he just went back to being a half-retarded cow person; y'know, like the rest of us."
Anyway. Joe Slater is a hunter who's had some kind of sleep disorder and dream-related mania for most of his life.
You sure have an awful lot of descriptions for this "indescribable" person, Howie.
If this had been written by anyone else, I'd say the whiskey binge was a nice touch. A subtle implication of how Slater's life has been going downhill as his mental health deteriorated, eventually driving him to alcoholism to deal with his night terrors, and the stress and loneliness of being surrounded by people who don't understand him. Unfortunately, its much more likely that five o'clock whiskey marathons are just how all country people get to sleep in Lovecraft's world.
Possessed!Slater is awfully articulate for a mindless savage, but maybe that's down to the Black Lodge spirit having a better vocabulary than him.
Good thing there was a "semi-popular" state trooper who happened to wander into the posse. Otherwise they'd have probably all walked themselves off a cliff without adult supervision.
"Alienist" is an old fashioned word for "psychiatrist."
Apparently, when he tightens his lips you can tell if its in intelligent determination or in stupid determination. Slater has very expressive lips.
Not sure why they're so interested in the exact details of his delusions. Psychology has progressed immensely in the past century, but even back then I can't imagine that "I'm actually a superpowerful being and there's some omnipotent voice tormenting me" would be seen as anything but bog standard paranoid schizophrenia.
He had never heard a legend or a fairy tale? I'm pretty sure the hillbillies have plenty of legends and tall tales that no one outside of their territory has ever heard of. Not to mention the bible; even if they're illiterate, they'll have heard biblical stories that could inspire epic mental images of deserts, tall buildings, and the like.
Slater's evaluation and trial take about a month, going by the timeline provided a couple pages back. It’s a pretty cut and dry insanity case, so that's probably not unusual.
Why does this sound like a pedophile?
“Perhaps?”
Fucking perhaps?
Isn't this a mental hospital? Shouldn't you be ASKING him what he's thinking and feeling? Actually, the hell with that; even if we’re assuming 1920’s mental health “care” at its absolute worst, you shouldn't even need to ask to be sure what he's pining for. Slater had a life, a home, and a family, and its all been taken away from him in the blink of an eye because of something he can't even remember. Then there's the little fact that he murdered one of his next door neighbors; maybe that might also be weighing on him just a little?
Of course he wishes none of this had ever happened and he was still at home with his family, you absolute moron.
Okay, I take that back. He doesn't miss his family. Hillbillies actually are solitary nomadic predators after all.
At this point I'm wondering if we just have an unreliable narrator.
He consistently describes Slater's language as too crude and inarticulate to convey these awe-inspiring concepts, but he's nonetheless able to understand them in great detail after listening to Slater's descriptions. In addition to his shockingly insensitive analysis of Slater's wistful basket-weaving, he dismisses his own superiors at the institution as unimaginative old conservatives; so far, there isn't a single other human being he's regarded as an intellectual equal, or even described in positive terms at all.
Should I not be taking this guy's account at face value? Is his characterization as an egomaniacal narcissist intentional on Lovecraft's part? This guy is written, with great and convincing detail, as a villain. Maybe that's what he is? Maybe the story will turn on its head with him crossing some blatant moral event horizon?
If the electrotelepathy device never worked before, what makes him think it'll work now?
And...he's attaching the device to Slater's head "at each outburst of Slater's violence" and doing the experiments "though informing no one of their nature."
Am I misinterpreting, or is he sneaking into Slater's cell after he's been straightjacketed? Entering the cell while Slater is in rage mode would be awfully dangerous if he wasn't restrained, so I’m thinking that that’s the intent.
So, he waits until Slater is raging, lets the guards put him in the straightjacket/restraints, and then sneaks into his cell and does these experiments once the doctors and guards have all left and there’s nobody watching.
That’s…well. That speaks for itself.
I'm not vouching for the "excellent care" of any hospital that would allow you within one hundred feet of the patients.
Losing a valuable test subject. Such a tragedy.
"Excellent care," ladies and gentlemen. Letting an intern attach an unknown homemade device to a dying patient's head without so much as asking what he's doing.
Sadly, having been in a psych ward myself, I find it all too easy to believe that something like this could actually happen even today.
Lots of evocative words, but the way they're arranged makes it hard for me to picture exactly what he's describing. That may be intentional to some degree; one of Lovecraft's fascinations was with the limits of what the human senses and languages can process. Here though, regardless of whether or not that was the intent, it just feels like clumsy writing.
"My cosmic brother," is it? You're presuming an awful lot of friendliness and familiarity between yourself and whatever Slater just turned into. That's in character for an egotist, I suppose; of course the being of cosmic light and splendor would see you as a "brother."
So that was only a glimpse at the world Slater was exploring in his dreams before the author returns to consciousness. There's a touch here that I think is pretty clever; for a moment, the narrator was awake, but not seeing the physical world around him because his senses were preoccupied by the ethereal one. This is probably the same condition that Slater himself was in when he killed that man; his body was moving and interacting with other solid things, but he only saw these luminous spirit things around himself. He was literally somewhere else.
One question that brings to mind is if the narrator, like Slater, will also lose his memory of these visions once they're over. Let's find out.
He still thinks that stupid machine works? I'd say its much more likely he shared Slater's vision just now because he happened to be close, with the wires and cardboard boxes and soup cans or whatever being irrelevant.
And the entity that's been hiijacking Slater in his dreams and fits of madness finally appears. The story doesn't name him, so MIKE will have to do.
If I'm understanding this correctly, MIKE isn't an alien at all, but rather the "true" form of human consciousness, the butterfly of Chuang's dream. MIKE's species rest in the form of humans and other sentient beings - like the Jovian insectoids he mentioned - and are active in their true forms while the physical body sleeps. Presumably, all our mental activities during the day are just the true self's way of recharging, just as sleep seems to do for us.
"Us" and "them" might not be the right words, since we're just two different forms of the same species. However, MIKE talks about Slater in a disassociative way that makes me unsure.
It bears noting that MIKE is aware of everything about Slater's waking life, and has good general background knowledge of Earth and humanity as well. Either our dream-selves have some kind of omniscience, or we can remember our earth-selves while awake in our true forms even if the reverse isn't true.
Anyway, it sounds like it didn't much enjoy being Slater.
The narrator observed that, based on Slater's descriptions, he and his enemy seemed to be the same sort of being. This would imply that the Algol entity - we'll call it BOB - is another consciousness that can be a human or other sentient being during its rest cycles. BOB might be on Earth doing his grocery shopping or playing with her pet hamster right now, heedless of who they really are while "dreaming."
MIKE said that they...we...whatever...normally end up in a different physical body each time they recharge, and that their plane of existence is unbounded by our world's timeline. So, BOB could also be a person in the distant past or future while he's napping at the same time as MIKE in the other world. Or an alien in the distant past or future, humans and jovians are probably not the only two species of the physical continuum who are actually sleeping star-things. Being stuck in Slater's body so many times in a row seems to be the result of something going wrong, perhaps the other self's version of a disease or injury that prevents normal host rotation.
He's been your friend? I never would have known. Maybe MIKE means that he knows the consciousness currently inhabiting the narrator in their own world, but...that seems like a really big coincidence. Or maybe the narrator's been bribing Slater with candy to let him experiment on him when he's not delusional, and so MIKE's experience with him through Slater's chimpanzee-like perspective is just "nice man who gives me things."
So, any possibility of this being an unreliable narrator just went out the window. Turns out the protagonist was one hundred percent right, and he has the word of a cosmic superalien - and, it’s pretty hard to deny now, the author - to back him up in his smug self-congratulation. Well doesn't that just feel wonderful.
Wait…a new star appeared BRIEFLY and then vanished, with Algol remaining in place? Does that mean MIKE just got his ass kicked again? I don’t know if that’s the author’s intent, but it’s the most obvious reading, and that’s hilarious.
The end.
So, to start with the good. The sheer imagination and mind-blowing aspect of the final revelation - that humanity is just one expression of sleeping demigods who can literally move stars while they're awake - is incredible. The temporally disjointed nature of the beings' host selection is not only evocative of certain concepts of reincarnation, giving the story an almost religious feel, but also adds to the sense that the world we perceive is false, and even something as seemingly fundamental as time is merely an illusion.
Unfortunately, the story is sabotaged almost completely by the author's classism. The way the story up to the interview with MIKE is written suggests that this was what Lovecraft saw as the normal, real world around us; that his portrayal of Slater and the alienists was true to reality. That there would be nothing untoward about an intern experimenting on patients and that questions SHOULDN'T be asked in that situation; after all, he doesn't call much attention to the nurse's apathy or the other staff members' inattentiveness, which normalizes them in contrast to the fantastical elements. And in Lovecraft's mind, the narrator was the good guy who earned his congratulation from MIKE before the latter rocketed back to the Black Lodge. My memory wasn't deceiving me; this story is just as unintentionally horrifying as I remembered, if not worse.
It’s not just background bigotry tainting the story either. As I already commented, the story goes to absurd lengths to pile more and more demeaning language on Slater and his people, even when it isn't relevant to the story and contributes nothing to wither the buildup or the payoff. It just feels like unrelated malice being poured into a story not meant for it. Like the cosmic entity being forced to inhabit Joe Slater, the brilliance of this story's premise is corrupted and bogged down by the perversity of the mind that channeled it.
A final note on this story is that it - along with "Dagon" written at around the same time - might be the earliest Cthulhu Mythos tale. None of the mythos entities are named in this story, but the concepts introduced - alien beings and realms beyond human comprehension, dreams having an existence of their own, the world around us just being a tiny part of a bigger and less orderly cosmos, and human scientists uncovering shocking aspects of all this by accident - are the foundations of the Cthulhuverse. It feels like a Cthulhu story in a way that the preceding works don't. The only real difference is that in the Cthulhuverse, humans are small and unimportant, and us being manifestations of Great Old One tier beings would go against the nihilism of the mythos. There's also the fact that in most of the later stories, the scientist would be in danger from this revelation, either giving into madness from the horror of it, or gaining the attention of some unearthly monster. In "Beyond the Wall of Sleep," on the other hand, the only monster is Howard Phillips Lovecraft himself.